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ANTHROPOMORMPHIC TAXIDERMY

October 2nd, 2011 by BF



My favorite part is when the artist talks about preserving the creature that had either died of natural causes or that was bred for feeding is being immortalized by these stories and used in this new context within artistic narratives and story telling. Anthropomorphic Taxidermy, as Sue will explain is the process of taking an animal’s skin, preparing it, and putting it in a human-like setting.

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HAYDEN CARRUTH – REGARDING CHAINSAWS

September 28th, 2011 by G Santos

Regarding Chainsaws

The first chainsaw I owned was years ago,
an old yellow McCulloch that wouldn’t start.
Bo Bremmer give it to me that was my friend,
though I’ve had enemies couldn’t of done
no worse. I took it to Ward’s over to Morrisville,
and no doubt they tinkered it as best they could,
but it still wouldn’t start. One time later
I took it down to the last bolt and gasket
and put it together again, hoping somehow
I’d do something accidental-like that would
make it go, and then I yanked on it
450 times, as I figured afterwards,
and give myself a bursitis in the elbow
that went five years even after
Doc Arrowsmith shot it full of cortisone
and near killed me when he hit a nerve
dead on. Old Stan wanted that saw, wanted it bad.
Figured I was a greenhorn that didn’t know
nothing and he could fix it. Well, I was,
you could say, being only forty at the time,
but a fair hand at tinkering. “Stan,” I said,
“you’re a neighbor. I like you. I wouldn’t
sell that thing to nobody, except maybe
Vice-President Nixon.” But Stan persisted.
He always did. One time we was loafing and
gabbing in his front dooryard, and he spied
that saw in the back of my pickup. He run
quick inside, then come out and stuck a double
sawbuck in my shirt pocket, and he grabbed
that saw and lugged it off. Next day, when I
drove past, I seen he had it snugged down tight
with a tow-chain on the bed of his old Dodge
Powerwagon, and he was yanking on it
with both hands. Two or three days after,
I asked him, “How you getting along with that
McCulloch, Stan?” “Well,” he says, “I tooken
it down to scrap, and I buried it in three
separate places yonder on the upper side
of the potato piece. You can’t be too careful,”
he says, “when you’re disposing of a hex.”
The next saw I had was a godawful ancient
Homelite that I give Dry Dryden thirty bucks for,
temperamental as a ram too, but I liked it.
It used to remind me of Dry and how he’d
clap that saw a couple times with the flat
of his double-blade axe to make it go
and how he honed the chain with a worn-down
file stuck in an old baseball. I worked
that saw for years. I put up forty-five
run them days each summer and fall to keep
my stoves het through the winter. I couldn’t now.
It’d kill me. Of course they got these here
modern Swedish saws now that can take
all the worry out of it. What’s the good
of that? Takes all the fun out too, don’t it?
Why, I reckon. I mind when Gilles Boivin snagged
an old sap spout buried in a chunk of maple
and it tore up his mouth so bad he couldn’t play
“Tea for Two” on his cornet in the town band
no more, and then when Toby Fox was holding
a beech limb that Rob Bowen was bucking up
and the saw skidded crossways and nipped off
one of Toby’s fingers. Ain’t that more like it?
Makes you know you’re living. But mostly they wan’t
dangerous, and the only thing they broke was your
back. Old Stan, he was a buller and a jammer
in his time, no two ways about that, but he
never sawed himself. Stan had the sugar
all his life, and he wan’t always too careful
about his diet and the injections. He lost
all the feeling in his legs from the knees down.
One time he started up his Powerwagon
out in the barn, and his foot slipped off the clutch,
and she jumped forwards right through the wall
and into the manure pit. He just set there,
swearing like you could of heard it in St.
Johnsbury, till his wife come out and said,
“Stan, what’s got into you?” “Missus,” he says
“ain’t nothing got into me. Can’t you see?
It’s me that’s got into this here pile of shit.”
Not much later they took away one of his
legs, and six months after that they took
the other and left him setting in his old chair
with a tank of oxygen to sip at whenever
he felt himself sinking. I remember that chair.
Stan reupholstered it with an old bearskin
that must of come down from his great-great-
grandfather and had grit in it left over
from the Civil War and a bullet-hole as big
as a yawning cat. Stan latched the pieces together
with rawhide, cross fashion, but the stitches was
always breaking and coming undone. About then
I quit stopping by to see old Stan, and I
don’t feel so good about that neither. But my mother
was having her strokes then. I figured
one person coming apart was as much
as a man can stand. Then Stan was taken away
to the nursing home, and then he died. I always
remember how he planted them pieces of spooked
McCulloch up above the potatoes. One time
I went up and dug, and I took the old
sprocket, all pitted and et away, and set it
on the windowsill right there next to the
butter mold. But I’m damned if I know why.

- Hayden Carruth

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NURSES- WAY UP HIGH

September 28th, 2011 by BF

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ARTIST NEIL ENGGIST AT BRICK NYC : SUNDAY 10/2/11

September 27th, 2011 by JOEY



Neil Enggist will be showing paintings downstairs at Brick NYC in tribeca this Sunday. His work seeks a seamless fusion of the purposeful and coincidental, embodying the random precision through which the momentary and eternal intersect.’ Ice, fire, Dante’s ascent, Nebula ether in red sand, Golden oil, Delta blues, Requiems and the Heart Chakra all bear their impressions on the action/multi-conscious paintings that will be shown. Also on display are works done on site in Yosemite, White Sands, Alaska, The Tetons, and Portofino, Italy, as well as a collaborative work with dream painter, Zareen Khan. Show opens at 6 pm.

www.neilenggist.com

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ALEX LUKAS @ GUERRERO GALLERY

September 27th, 2011 by BF

Alex Lukas GUERRERO GALLERY from Jan Wayne Swayze on Vimeo.

Alex Lukas – Guerrero Gallery

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PAUL ROBERTSON : SPRITE ART

September 25th, 2011 by JOEY













PAUL ROBERTSON

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SIMILARITY SATURDAY 5 : CHAD VANGAALEN & FRANCE MIHELIC

September 25th, 2011 by JOEY

Hello folks! Welcome back to SIMILARITY SATURDAY! It’s been a while so I figured we could get back to it with a treat!

Chad VanGaalen
Singer/Songwriter/Visual Artist








France Mihelic
Artist/Illustrator/Puppeteer






Both artists definitely resemble something very organic, with a strong sense of continual growth and mutation, as further illustrated in Chad VanGaalen’s music video for Clinically Dead off of his debut album Infiniheart. They also share a rather similar line quality which lends to exploring the images as landscapes, then later breaking it down into it’s individual characters and objects. It would certainly be safe to say that Chad VanGaalen may have come across France Mihelic’s work at some point in his life/career. Nonetheless both brilliant artists! I’ve been a huge fan of Chad VanGaalen for quite some time now, but I just recently discovered France Mihelic’s work thanks to Aeron at MONSTER BRAINS (check it out)! Also, you can definitely look forward to a post taking a more in depth look at Mihelic’s work in the coming week. Have a great weekend everyone!

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DEFENDERS @ MILL VALLEY FILM FESTIVAL!

September 22nd, 2011 by BF









Brandon Friend
Defender (30,31,32 of 50)
Imprinted Acrylic & Mixed Media
on Wood Panel
8″ x 8″
2011

Big ups to Carly Ivan Garcia for reaching out and including the new Defenders in this!

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SCREAMING TREES – NIGHT COMES CREEPING

September 20th, 2011 by JOEY







Released in 1988, this is the Screaming Trees with “Night Comes Creeping” off of the album Invisible Lantern. Great song to work to, great song to get jiggy to, just a great song! The whole album is awesome, and how about that album art? Delicious! Definitely an “Oldie but Goody”! Have a great night everyone!

JOEY!

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FINDING JOE

September 19th, 2011 by JOEY







Joseph Campbell

Posted in ART
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